Showing posts with label Virginia Bergin. Show all posts
Showing posts with label Virginia Bergin. Show all posts

November 6, 2018

The XY Blog Tour: Excerpt + Giveaway

The XY
Author: Virginia Bergin
Release Date: November 6, 2018

Publisher: Sourcebooks Fire

Description:
 
She’s been taught to fear him.
He’s been taught to fear her.
What if they’re both wrong?

 

In River’s world, XYs are a relic of the past, along with things like war and violence. Thanks to the Global Agreements, River’s life is simple, safe, and peaceful…until she comes across a body in the road one day. A body that is definitely male, definitely still alive. River isn’t prepared for this. There’s nothing in the Agreements about how to deal with an XY. Yet one lies before her, sick, suffering, and at her mercy.

River can kill him, or she can save him. Either way, nothing will ever be the same.


Praise for The XY:

Winner of the James Tiptree Jr. Literary Award

“A primer for Margaret Atwood’s adult works” –Bulletin of the Center for Children’s Books

“The XY explores ideas about stereotypes, power, and personal responsibility within a unique and intriguing world. It will leave its audience questioning the role of gender in social development.” –Foreword Reviews

“Bergin uses a clever premise and vividly sketched characters to illustrate the importance of compassion and inclusion.” –Publishers Weekly

“Bergin’s matriarchal world building is fascinating...Hand to teens thirsting for an original tale.” –Kirkus


https://www.goodreads.com/book/show/40171030-the-xy
 
 Chapter 1

Consciousness

The person leaps up, there’s a hand across my mouth before I can even scream, the other arm wrapped tight around me, and my brain is exploding—instantly—with shock and horror and fear and anger and confusion CONFUSION CONFUSION because who would just ATTACK another person and—

“Who’s with you? Huh?!”

The voice! Growling and sick and deep and broken and stinking.

MAN

MEN

MURDER

GUNS

WAR

KILL

Every strange and scary thing I’ve ever half heard said about XYs comes bursting into my head, but it cannot be. It cannot be.

“Don’t make me hurt you, junior!” vile breath threatens.

The grip tightens. The grip HURTS.

WHY would this person be doing this?!

WHY WOULD ANY PERSON DO THIS?!

So maybe this person is crazy, so maybe this person has taken drugs, so maybe whatever sickness this person has got is causing this madness—

“STOP IT!” My cry muffled wordless by a stinking, sweaty palm.

“Shuddup!”

I get shaken. I get squeezed. It HURTS. So who cares who this is and why? So NO WAY. So I kick. Kick, kick, kick. Boot against shin. Boot against shin. I get another shake and squeeze, then dragged back so fast my boots can’t get to shins, but I stamp down hard on a cloven hoof, and the stinking breath lets out a growl that ends in a moan of pain.

“DON’T MAKE ME HURT YOU.”

Who would say a thing like that?!


I plant another kick back hard. SHIN!

There is a roar of pain. And words that roar louder:

“Stop-or-I-swear-to-God-I’ll-kill-you.”

I go limp. It’s not that no one swears “to God”—some of the granmummas still do. It’s that no one, no one… Who would threaten to KILL a person?

“You on your own?”

The grip releases just a little—and I feel it: I feel how weak this person really is. One glance down at the bicep on the arm of the hand that’s pinned across my face tells me this body is used to hard work—but sickness trembles in those gripping arms.

“Are ya? Well, are ya?!”

I nod my head. My ribs hurt. My face hurts. My mouth is dry with fear and shock—but my eyes and nose? They’re running. With anger. I feel angry.

The strange, sick, nasty, wild person hesitates…then releases me.

I wipe the trail of tears and snot from my face.

“I do a mile in six point eight. I press sixty.”

I have no idea what this means. I have no idea how to respond.

“So don’t you bother trying to run, and you should definitely not bother trying to fight me. You will lose.”

The creature wipes my snot off the back of its hand, looking up and down the forest road. Then it looks at me. “Wait a second—have you got a transmitter in?! Your tag—”

It lurches forward, grabbing my upper arms and squeezing them.

“What, did they stick it in your leg? They did that to me once—”

“Get off me!” I pull away as it grabs at my thighs.

“Shut up! God, you little screecher! No wonder you’re not tagged. You ain’t even on T-jabs, are you? How old are you, kid? Hey! You’re okay now! Okay?”

The insane question settles it. This person is an unknown kind of person. A person who hurts and scares and then asks how you are. A person I must get away from. I nod at it, sniffing hard.

“Then quit with the blubbering, kid.”

No one, not even Granmumma Kate, would tell another person to stop crying. Anyone who doesn’t know that is definitely an unknown kind of person. Maybe not even a person at all.

“Name’s Mason,” the creature says, holding out a hand.

Courtesy dictates a hand held out is a hand to be shaken, that the cheek of the person holding out that hand is to be kissed. I take the hand and, swallowing revulsion with my own snot, lean in to kiss.

“What the hell are you doing?!” it says, shoving me away.

It. That’s what this is. No human being I have ever met would behave like this.

“Where did you ’scape from anyway? You weren’t hell bound, was you? Come on! What unit you from? What d’you call yourself? I’m not gonna tell anyone, am I? Who’d I tell?! Why’d I tell?! How long you been out for? You don’t look that sick. Did you get proper sick yet? Where’d you get that horse from? I mean, that is an actual horse, right?”

I nod. I have to get away from it. I have to think. I have to stay calm—and keep it calm, that’s what I decide—because something in its ranting, in its questions asked with no wait for an answer, reminds me of my own granmumma, whose temper can feed like a fire on any sort of disagreement.

“An actual horse… I thought they’d be smaller…” it says, almost to itself, contemplating in amazement. “How’d you even steal that?!”

I just smile politely. The smile feels wonky on my face.

“God’s sake…” It grins at me. “How are you alive, li’l thief? Hah. How’d you manage it? You’re a walkin’ freakin’ miracle, ain’t you? You got anything to eat and drink in that bag, have you? You got water?” It holds out its filthy paw, its hand making gimme! baby grabs in the air. “Come on now, little brother. Don’t hold out on me.”

Little brother. Brother… I slide the backpack from my shoulders and it snatches it.

“Siddown, bro,” it tells me.

Bro? I crumple to the ground where I stand. It plonks itself down too—close. Grabbing-distance close.

“See now, we gotta share and share alike, ain’t we?” it says, ripping open the backpack. “Us ’scaped ones, that’s what we gotta do. We’re brothers in the face of death now, brothers in the face of death… Oh, do NOT tell me you’ve been eating this stuff,” it says, holding up a bunch of freshly dug carrots. “KID! This is goddamn filthy jungle poison, that’s what. You eat this stuff, you’re dead in two seconds, not ten. Get me?!”

It shakes the carrots in my face, then flings them aside. Soil still on them, but Milpy doesn’t care, comes plodding up to munch, cart trundling behind, and the creature jumps back to its hoof feet. It looks around, then staggers to grab a branch—a poor choice, so rotten looking it’ll probably crumble immediately, but still…Milpy, munching. No one hits her, not even Lenny. She just gets shouted at. She doesn’t often listen. I have no idea what Milpy would do if someone struck her—only that she would NOT like it.

“No!” I can’t help myself. “She won’t hurt you!”

The creature eyes the huge power of Milpy, chomping.

“She’s just hungry!”

“That so?” it says, watching Milpy crunch.

Painful seconds tick.

“That’s a she horse?” it asks.

I nod and watch the creature watch Milpy—Milpy watching it right back, her nostrils flared, scenting, her ears unable to decide between laying back in irritation (because—really!—what is this nonsense on the way home?!) and pricked, twitching, listening (strange it, strange smell, general strangeness). Still: fresh carrots?! Too good!

“What’s that you got in that wagon anyway?” it asks, pointing at the cart.

“Apples?”

It picks up an apple. It examines the apple. It bites it. It spits it out.

“Brother, these ain’t apples!” it says, shaking its head at me, wiping its mouth. A convincingly human look of disgust and pity on its face.

With watchful eyes on Milpy, it sits back down. Places that branch down on the road, and I can see, for sure, that it is rotten—orange-and-white fungus all over it, wood lice tumbling out, escaping from its broken ends. I’ve been hit by kisses harder than that.

It rummages again, trying the next compartment in the backpack. Pulls out a cloth-wrapped package, unwraps it.

“And what is this?” it asks.

How could anyone not know these things?! It’s sniffing the loaf of bread. My cousins’ gorgeous sourdough. Fresh baked.

“Bread.”

“Don’t look like bread.”

It sniffs some more, bites down slowly, tears away a mouthful. It chews, eyes on me.

“’S disgustin’,” it mumbles, but it keeps on chewing, biting off more, like it’s ravenous, while the other greedy hand searches, finds my water bottle, and…suddenly it tosses the loaf at me, and I catch it.

Regret that immediately: shows so clearly I am watching, alert.

It eyes me.

“Why doncha take a little bite of that yourself?”

Terror alone would stop me. I have also been stuffed full of cake at my cousins’ house, but I have got to get out of here, so I pull a chunk of bread off—away from the creature’s bread-mauling area—and take a bite.

It, Milpy, and I chew.

Me and Milpy are watching it.

It is watching us.

It unscrews my water bottle, sniffs…

“Water,” I whisper.

It glugs—and glugs.

“Don’t taste right neither,” it mutters—and my heart skips a beat as it pulls my knife out of the backpack. My good knife, my favorite supersharp blade that was given to me by Kate. Belonged to my great granpappa.

It releases the blade—seems to know just how—and holds it up. The blade of the knife shines true in the late, dying sun.

I feel my whole body tense up so hard any fearful shaking stops.

“Was you thinking to stab someone, little brother? That what you was thinkin’ of?”

That’s a thing men did, isn’t it? That’s what I’ve heard. Kate says women did too, but Mumma says there are statistics. Men stabbed people, shot people, killed anyone. Prisons rammed full of them and still they did not stop.

“’Spect you’d like to stab me right now, eh?”

It makes a tutting sound and waggles the knife at me.

“It ain’t the way, li’l brother. It ain’t the way. I mean…I guess sometimes it maybe has to be the way, right? We’ve all seen that. But—”

Something in the backpack catches its eye. It pulls it out, the jar of honey, holds it up with a puzzled look.

“Honey.”

“Think so?! I’ve heard of that!”

It drops the knife—blade open—on the other side of its body and manages to get the jar open. Scoops out a fingerful and sniffs it. Looks suspiciously at me.

“You first,” it says, offering the fingerful.

Its hands… They are so filthy.

It grunts. “Brother, we are both gonna die anyways,” it says, honey running down its finger. “Welcome to the jungle.”

With my mouth, I take the honey from its finger.

The touching of it, the creature, makes me shudder.

“That good, huh?” it says and delves another filthy finger into the jar, shoves it into its mouth, and sucks it.

Its eyeballs roll back. “Sweet!” it says. “That is good, ain’t it? So, kid, you gonna talk to me?”

I can see huge beads of sweat popping out on its forehead. I am sweating too. My sweat is fear; its sweat is sickness—pouring out of it. It keeps eating though, grabbing the bread back, dipping chunks into the honey jar, swigging at the water—and all the while mumbling talk and questions at me. I don’t answer. I see streaks of blood in the bready mix of chewed-up food in its mouth, and it winces when it swallows, rubbing at its throat. And its stomach? I hear loud gurgling and churning, smell the stink of vile farts.

“So how come you ain’t sick? I been loose FIVE WHOLE DAYS—got sick DAY ONE. Had to drink goddamn filthy water got green stuff growing in it. Green stuff! Veg-et-able material growing in the freaking water! Brother, come on, might as well name your unit—and don’t go telling me you’re Alpha material, because I know a Beta boy when I see one…but how come you ain’t on the T-jabs? You oughtta be by now! Kid, you got X-S body fat. X-S! Round the ass—and your pecs! Serious!” it says, jabbing my left breast.

I flinch and shrink and twitch to run.

“Whoa! Don’t get all like that! Them flabby pecs is probably what’s keepin’ you alive! You’re probably digestin’ yourself!” it laughs, ripping off bread and dunking it into the honey.

It raises its eyes from the jar, studying me as it chews.

“Hey, it doesn’t matter at all now, does it?”

I study it right back. I…say nothing. My mind has landed in a bad place. My mind has landed in a place where the thought that cannot be is.

“D’you even know where you are, Beta boy? ’Cause I sure as hell don’t! Hellhole, brother! In-fin-it-y of it! Know what that means? Endless, my brother. This goddamn jungle goes on forever.”

It doesn’t. It goes to the village. I’m no great runner, but I think, if I can remain calm, I can outrun this sick thing.

“Yup, we is lost…lost and damned and done for. So this is just great, ain’t it? This is juuuuuuuust ber-illiant. Two runnin’ dead men sharing a last supper and only one of us got anything to say.”

“I just want to go home,” I whisper. I am telling it to myself. I am willing it to happen.

“Yeah, I’ll bet you do. Ah, HELL—it ain’t me you’re scared of at all, is it? It’s the wimmin, ain’t it? Oh God! You seen them? Have you seen wimmin?!”

I nod the tiniest of nods. I feel physically sick—but not as sick as the creature. It’s rubbing its belly, sweat popping, hairy face grimmer than grim.

“You seen wimmin…around here?”

I nod an even tinier nod.

“Je-sus.” It wipes a shaking hand across its filthy hair, eyes darting. “They’ll kill you quicker than the jungle, if they don’t—Kid! Oh God, oh brother mine…did they…mess with you? No shame here, brother. If them wimmin touched you, it ain’t your fault. We all know that. We all been told what wimmin’ll do to any ’scaped male they find—and if they done it to you, IT AIN’T YOUR FAULT. No shame on you, no blame on you. IT AIN’T YOUR FAULT. You listen to Mason now.”

I shut my eyes, just to make it STOP for one moment, but the sound of the thing retching makes me open them again—it’s doubled over, gripping its belly, head sweat falling like raindrops.

“Get out of here,” it says, voice twisted with pain.

I edge myself up, onto my knees, then one foot to the ground, knuckles to the concrete, willing power into my legs. It looks up at me, fighting whatever agonies I can hear battling in its guts.

“D’you hear me? Don’t let the wimmin get you!”

It doubles up again with a horrific groan. My legs tense with sprint intention.

It vomits—bread and honey and water and…blood? I should run. I should run—but, even in a nightmare, who leaves a sick person?

“Go,” it says, wiping its mouth. “Brother: die free.”

Virginia Bergin is the author of H2O, which The Horn Book Magazine called “Inspiring.” She lives in Bristol (UK). Visit her online at virginiabergin.com and on Twitter @VeeBergin.

Author Links:
Website: https://virginiabergin.com/
Twitter: https://twitter.com/VeeBergin


Buy Links:
Amazon: https://amzn.to/2Q14dT6
Barnes&Noble: http://bit.ly/2PQul2B
BooksAMillion: http://bit.ly/2PZFYER
!ndigo: http://bit.ly/2PUr02L
Indiebound: http://bit.ly/2PXdtra


(2) Copies of The XY
Runs November 6th – 30th (US & Canada only)




 

October 3, 2015

The Storm Blog Tour: Excerpt + Giveaway

Welcome to my stop on the blog tour for The Storm! Today I have a great excerpt from the book to share with you - and don't forget to enter the giveaway!!


The Storm (The Rain #2)
Author: Virginia Bergin
Genre: YA Science Fiction/Dystopia
Release Date: October 6, 2015
Publisher: Sourcebooks Fire

Description:

"I'll tell you a weird thing about apocalypses - a thing I didn't even know until I was in one: they seem pretty bad, don't they? Well, take it from me: they can always get worse."

Three months after the killer rain first fell, Ruby is beginning to realise her father might be dead . . . and that she cannot survive alone. When a chance encounter lands her back in the army camp, Ruby thinks she is safe - at a price. Being forced to live with Darius Spratt is bad enough, but if Ruby wants to stay she must keep her eyes - and her mouth - shut. It's not going to happen. When she realizes what is going on - the army is trying to find a cure by experimenting on human subjects - Ruby flips out . . . and makes an even more shocking discovery: she's not useless at all. The Storm begins . . .
 

https://www.goodreads.com/book/show/25835474-the-storm


From Chapter 8 of The Storm by Virginia Bergin

By the time I’ve finished, my tray is so heavy, my arms are questioning how long they can hold it as I turn and… So the whole place is pretty much empty, right? There are a few people left, lingering over le top nosh, but I want to sit away from people. I want to stuff my face in peace, then find a place to sleep—­in this canteen if I have to. I look to the far end of the room; it is darker there, the lights down at that end off already, chairs stacked on tables. Only one person sitting there, alone.

I must be really, really, really hungry, because I suddenly feel all shaky and my stomach does this funny flip.

As I get closer, I see that he has a book open in front of him…but he isn’t trying to read in the darkness; he is just staring out of the window—­into space, I presume, because you can’t see into the stadium from here and the view’s not all that, just more boring buildings. But at least he can see the view; he’s got new glasses.

D-­A-­R-­I-­U-­S   S-­P-­R-­A-­T-­T

I wish I knew how terrible I look, but maybe I don’t look terrible at all. This is not because I care about what Darius Spratt thinks, you understand. This is for the sake of my own dignity. There’s quite a lot of black makeup gloop on my hands, but it can’t really be smudged all over my face, can it? (Oh yes, it can!) On my tray, the tiny upside-­down reflection of me in the spoon (for quicker stew shoveling) gives no real clue—­because the light is so bad, I suppose. I’d rustle up some inner dignity, but I won’t be able to hold the tray for long enough to get that done. I take a deep breath and a long, shaky walk across that room.

I spill my water putting the tray on the table. It goes all over my food.

The Spratt, startled, looks around and—­

“Ruby!” he gushes.

This makes a change from what he usually says to me, which is, “What have you done to your hair?” That will be coming, I am sure. For now, the gushy voice is the least of it—­he actually surges to his feet and opens his arms and—­

I dump myself down as elegantly as I dumped the tray. There will be no hugging here, I can assure you.

“Hi,” I say—­as curtly and as crisply as I can manage.

The Spratt gawks at me with joy and—­oh no! You’re kidding me! Glistening tears well in his eyes. (TEARS OF GUILT. Should be.) The effect on me is horrific; I have had a very traumatic time and very little sleep and so, in my weakened state, I feel a surge of emotion at the sight of his familiar, nerdy face. (See how dreadful apocalypses are?)

“Siddown!” I hiss.

The Spratt sits back down—­but he can hardly stay in his seat; he leans across the table at me, and I see his hand creeping across it toward my hand, which is just lying there, dog dead exhausted by all the goings-­on. I grab my spoon and shovel stew into my face. It is hard to swallow. I am starving, and the irksome presence of the Spratt is putting me off my food.

“You’re alive…” he breathes at me.

Yup. He is definitely one of the smart, useful people. I nod at him in a mean sort of way, eyes narrowed; if my mouth wasn’t crammed full of unswallowable cold stew mush, I’d tell him straight out what my look is intended to convey: “NO THANKS TO YOU.”

“Did you find your dad?” he blurts.

How did he do that? How did he just manage to pick the one question that stabs me straight in the heart? I have been back in the Spratt’s company for approximately ten nanoseconds and already I am wigging out. Right. I’ve got to shut him up. I need to swallow so I can talk. I grab his mug of—­cocoa? He’s drinking cocoa?!—­swig, and force that stew mush down.

“Oh, Ruby,” he whispers softly, like he already knows the answer. So softly and kindly and sweetly, I feel myself choking up—­which is even more annoying than wigging out.

I shove my plate of food away, mainly so the spoon is out of reach. Otherwise, I would be tempted to find out if you can stab with one. Instead, I stab with words.

“Did you find your mom?”

The Spratt is adopted. He now basically has a snowflake’s chance in hell of finding her.

He glances around, and I think he’s about to yell at me, which I already know in a way—­but only in a certain sort of way—­I would deserve for asking such a cruel question—­but no: “I did,” he whispers, his eyes wide with the marvelousness of the thing.

The seething troll monster of my own feelings bristles. I’d slap it, but it is covered, all over, in razor-­sharp spines. It has a heart though; somewhere in the gargantuan raging mass of its troll body, a small, sad, human heart beats.

“Really?” I say.

“Kind of,” he says. He glances around again. “I looked it up,” he whispers—­so I’m guessing he wasn’t supposed to or something. “I know who she was—­her name and where she lived. I just don’t know what happened to her, you know…”

I do know. I know exactly. And I know exactly what that feels like. And I also remember the too-­many times (twice) the Spratt dared to point out to me that my dad was probably dead, and the troll monster wants to say this now, to him, about his mom, and see him hurt, but I just can’t stand it. I can’t stand any of this. I get up, shoving my chair backward.

I don’t know where I think I am going. I have nowhere to go.

I burst into tears.

“Ruby!” says Darius.

His arms are around me. His arms do not feel the spines. The troll monster shudders and judders with tears.

Ah-­hoo, ah-­wah, ah-­wooh, blubs the troll.

But you will notice that it was the troll that was crying and not the small, sad human heart. 
Virginia Bergin learned to roller-skate with the children of eminent physicists.
She grew up in Abingdon, Oxfordshire, in a house tied to her father’s job. Her parents, the children of Irish and Polish immigrants – and one Englishwoman – had moved from Liverpool to the south of England in search of work.
Virginia studied psychology but ruined her own career when, dabbling in fine art at Central St Martins, she re-discovered creative writing. Since then she has written poetry, short stories, film and TV scripts and a play that almost got produced – but didn’t.
In between and alongside more jobs than you’ve had hot dinners, she has worked as a writer on TV, eLearning and corporate projects and has 22 broadcast and non-broadcast TV credits, from children’s favourite Big Cat Diary Family Histories (BBC) to the award-winning series Africa (Tigress Productions for National Geographic). Most recently, she has been working in online education, creating interactive courses for The Open University.
She has lived in North Wales, London and Bristol. In May 2015, she moved from a council estate in Bristol to live in rural Somerset, somewhere between Taunton, Chard and Ilminster. Her nearest neighbour is a horse. (Biography + photo taken from author's website.)

Author Links:
http://virginiabergin.com/ 
https://twitter.com/VeeBergin 
https://www.facebook.com/pages/Virginia-Bergin-Author/307548002740038 

Buy Links:








October 11, 2014

H2O Blog Tour: Author Interview


Welcome to my stop on the blog tour for H2O by Virginia Bergin! Today I have a fantastic author interview to share with you!!


H2O (The Rain #1)
Author: Virginia Bergin
Genre: YA Science Fiction/Dystopia
Release Date: October 7, 2014
Publisher: Sourcebooks Fire

Description:

It's in the rain...and just one drop will kill you.

They don't believe it at first. Crowded in Zach's kitchen, Ruby and the rest of the partygoers laugh at Zach's parents' frenzied push to get them all inside as it starts to drizzle. But then the radio comes on with the warning, "It's in the rain! It's fatal, it's contagious, and there's no cure."

Two weeks later, Ruby is alone. Anyone who's been touched by rain or washed their hands with tap water is dead. The only drinkable water is quickly running out. Ruby's only chance for survival is a treacherous hike across the country to find her father-if he's even still alive.
 

https://www.goodreads.com/book/show/22525534-h2o


1. What inspired you to write H2O?


The simplest explanation is that I read an article in New Scientist magazine, I wrote a (not-very-good) screenplay, then turned it into a novel after a teen friend gave me a copy of The Hunger Games . . . but WHY I did that is a different story of inspiration. When I read Suzanne Collins’ novel I couldn’t put it down. It reminded me what it was like to get totally, deeply lost in a story – and of how I’d read when I was a kid, gobbling books whole, devouring the entire science fiction shelf at my local library. I want to do that, I thought. I want to write a story for the sheer love of story-telling. I want to write a story - from the heart - that I wouldn’t have been able to put down. Who knows, maybe other people will feel the same way?



2. Did you do any special research for the book?


You have to know that I am the world’s laziest researcher. I’m hopeless at studying things in depth. (I’ll just do a quick search at the library or flick about on the internet and think, Yeah – got it!). So to begin with I didn’t do much research at all (Yeah - got it!) and just concentrated on the story. I mean, it’s fiction – right? – so who is going to care about whether the science is realistic?


I realised I did care. I realised the story would be much more powerful and interesting if there was proper science at the heart of it. So I went back to the library and the internet and studied microbiology and diseases and invented a whole, biologically realistic model for the bacterium from space . . . and then I realised I needed to check it. I was lucky enough to find two scientists who were willing to help, and I will never forget sitting in a café in Bristol going bright red and um-ing and ah-ing and er-ing as I described Ruby’s story to a world-class microbiologist with a PhD.


3. Do you have any quirky writing rituals or habits?


Not really! I write straight onto the computer: I sit down and I stay sitting down until it’s done (very unhealthy). Because I’ve done other sorts of writing to earn a living (eg TV documentaries) I’m used to really tight deadlines that mean you just HAVE to get on with it, no choice . . . but that also means trying to get everything right first time because you might not have enough time to have a second go at it. The result of that is . . . I drive myself crazy when I write fiction. Instead of working at it in a sensible way, just getting a first draft down as quickly as possible then coming back to it, I find it really hard to move onto the next sentence if I think the last one wasn’t right.

The result of that is . . . I cut thousands – thousands! – of words as I write. I chop sentences, whole paragraphs, sometimes even entire chapters as I go along – but I never throw anything away. I’ve got all those words stuffed into what I call ‘Offcut’ files . . . but you know what? I hardly ever go rummaging there. Once a line has gone, it’s gone.


4. What book has inspired/impacted you the most?


That is the TOUGHEST of TOUGH questions. I’ve read so many brilliant books! But I think the ones that inspired and impacted me the most must have been those I read when I was a child, the ones that open your mind to how incredible fiction can be. Those are the books that really made me love reading and writing stories – but there were so many of them too!


OK. I’ll try. My favourite series when I was a child was the Narnia books by CS Lewis - just don’t force me to choose between The Lion, The Witch and The Wardrobe and The Voyage of the Dawn Treader – but I think the series that has stayed with me most is Tove Jansson’s Finn Family Moomintroll stories. She created such an amazing, believable world populated with such lovingly-written characters, a world that could be both beautiful and scary, but always wondrous. Story magic.



5. Any tips for aspiring authors?


GET ON WITH IT. I think there’s such a lot of advice out there and I suspect it’s best – not to ignore it, but not to get too hung up on it. If you want to write, the main thing you need to do IS write. Just sit down, every day if you can, and do it. All those self-critical thoughts? All that striving for perfection? All that wishing you could write something brilliant? Forget it, just start writing and keep writing – it’s the only way to learn . . . well, almost. The truly scary bit is I think you also need to put your ego to one side and be brave about showing your work to other people – not friends and family – but other people. Join a writers’ group! Join two! Don’t expect to be an amazing writer from Day One, just GET ON WITH IT.

Oh, and you’ll be reading a lot already – but just in case you’re not: READ.


6. What's up next for you?


A cup of tea? Then, after that, I’ve got to crack on with the next part of Ruby’s story. H2O is just the beginning . . . 

Thanks so much for stopping to chat today Virginia!
Virginia Bergin is the author of the young adult novel, H2O, a story about what happens when a totally ordinary (and utterly unique, because everyone is) teenager finds herself in a global apocalypse. Virginia works as a writer for TV, eLearning and corporate projects. Most recently, she has been working in online education, creating interactive courses for The Open University. She lives in Bristol, England.


In H2O, Virginia crafts a tale of desperation and survival about a world in chaos. Anyone who’s been touched by rain or tap water is dead. With a fascinatingly unique premise, a heroine that takes daunting risks and slim chances of survival, H2O’s fast-paced, unputdownable mystery and emotional survivor’s story will appeal to readers who enjoyed The Fifth Wave and The Hunger Games