May 27, 2013

He's Gone Blog Tour: Excerpt & Giveaway



He's Gone
Author: Deb Caletti
Genre: Adult Mystery/Thriller
Release Date: May 14, 2013
Publisher: Bantam

Description:

“What do you think happened to your husband, Mrs. Keller?”

The Sunday morning starts like any other, aside from the slight hangover. Dani Keller wakes up on her Seattle houseboat, a headache building behind her eyes from the wine she drank at a party the night before. But on this particular Sunday morning, she’s surprised to see that her husband, Ian, is not home. As the hours pass, Dani fills her day with small things. But still, Ian does not return. Irritation shifts to worry, worry slides almost imperceptibly into panic. And then, like a relentless blackness, the terrible realization hits Dani: He’s gone.

As the police work methodically through all the logical explanations—he’s hurt, he’s run off, he’s been killed—Dani searches frantically for a clue as to whether Ian is in fact dead or alive. And, slowly, she unpacks their relationship, holding each moment up to the light: from its intense, adulterous beginning, to the grandeur of their new love, to the difficulties of forever. She examines all the sins she can—and cannot—remember. As the days pass, Dani will plumb the depths of her conscience, turning over and revealing the darkest of her secrets in order to discover the hard truth—about herself, her husband, and their lives together.
  



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I used to imagine it sometimes, what would happen if one day I just didn’t come home. Not that I ever considered running off— I could never actually do that, even if I occasionally had that fantasy about driving south and checking in to some hotel. Someplace with bathrobes, for sure. I love those. But, no, the thought was less about escape and more about some cruel intervention of fate. What if, say, the clichéd bus hit me as I crossed the clichéd street? The Mack truck. Whatever it was, something terrible would happen and my family would have to return home to find all the daily pieces of my interrupted life. My husband would see my cup of coffee, half finished, a curve of my lipstick on the brim. My mother would see my flannel pajamas with the Eiffel Towers on them in the laundry basket and the ChapStick on my nightstand. My book would be on the bed, open to the place I’d left off, and my hair would still be entwined in my brush. There would be my really expensive wrinkle minimizer, which honestly didn’t minimize much of anything, and my phone charger still plugged into the wall. This is how it would look, I would think. This stuff here.
Whenever I had to get on a plane, I played that game in my head, too. I worried about what people might find afterward, at my house. You know, if we went down in a fiery ball, wearing our yellow flotation devices with the helpful little whistles attached. Does anyone else do this? Fixate on impossible and pointless mental puzzles? I don’t know. Flying used to be fun, but after 9/11 I did this stupid thing where I would wonder if I should have hidden certain stuff before I left home. Not that there would be much to hide—I’m not guilty of too many things. But I’d worry about those few old love letters, the ones I’d kept from the early days with my first husband, which Ian would have hated to discover. And that half bottle of Vicodin from that root canal, which I’d kept in case I was hit with some emotional crisis I couldn’t handle. Oh, and that red lace thong-thing that Ian gave me one Valentine’s Day. I don’t know what he was thinking. If I never came home, my daughter might see it and think I actually wore it. That particular mental image might scar the poor girl for the rest of her life.
That’s pretty much been the extent of my secrets. I guess you could say my conscience works overtime. And while I never actually moved the red lace thong or hid the pill bottle before I traveled, I did wipe up spilled stuff in the microwave and remove that big slab of fluff from the dryer vent that wasn’t supposed to be in the dryer vent. I made sure my house was clean. Tidying up my domestic crimes so no one would find out that I made messes and couldn’t keep my appliances under control, which is probably some home version of the wear-clean-underwear-in-case-of-an-accident idea.
These head games—I guess they’re you, in your small way, trying to psych out the here-gone-ness of life, or maybe they’re about the awareness that comes after a certain age of inevitable grief hovering nearby. Or maybe they’re just about wanting to be good, even in death. Avoiding humiliation even when you’re stone-cold gone. I don’t know. But what I do know, what I’ve thought about since that day, is that it was always me I imagined suddenly missing. I never imagined finding anyone else’s pill bottles or the slippers that had formed to their feet, now ditched under the bed. I didn’t think about discovering someone else’s breakfast dishes or the change from their pocket left out on the dresser, their presence sitting right next to their absence.
That morning, well, the objects around me have no more significance than they did the day before. It seems wrong, doesn’t it? His reading glasses on the nightstand don’t send me some big message. His water glass doesn’t tell me the things I should know. I’d been dreaming—I was up high somewhere and I was scared and there was some kind of pounding noise, but when I open my eyes, I realize it’s a dream trick and that the sound is real. It’s outside my window. Our boat must have gotten loose or something, and it’s banging against the dock.
I lie there, catching up to the facts of my life as one does before first getting up, looking at the white of the curtains and trying to guess what the weather’s like. Dim white, likely cloudy. In Seattle, cloudy is a good prediction no matter what the season. I don’t check to see whether he’s there next to me or not. I guess I just assume he’s there, because it’s still early. We have one of those astronaut-foam-type mattresses, where you can thrash around and the other person won’t even notice. I think the advertisement shows a glass of water, which sits still and undisturbed on the bed in spite of some guy jumping next to it. Anyway, the dog can get up there, and you won’t even know it until you open your eyes and find him staring right at you.
I roll over. I’m trying to remember as best as I can. I recall expecting to see the hill of his shoulders turned away from me, his tidy black hair on the pillow. But I see only the empty bed next to me. Wide, empty, glorious space, and I stretch my legs over to his side and I’m happy about it, that space. I listen, trying to determine if he’s home. There’s that stupid banging, but the house seems still. Maybe he went for a run, or to work, even though it’s Sunday, which wouldn’t be unusual. Yeah: I realize there are no footsteps, or the sound of the toaster lever being pushed down, or the hum of television voices. He’s likely gone, and I’m relieved. I’m sure I’m not the only wife who feels that—the small relief at his absence. I love him very much, I do; but the house to yourself . . . No need for conversation or company or the press of his presence . . . Ah—coffee in bed, the thrill of aloneness, and a couple of Oreos on a paper towel for breakfast—bliss.
But first there’s that banging.
I get up and walk downstairs. God, I feel it then, the banging in my own head, a nasty throb from too much wine at that horrible party the night before. BetterWorks, Ian’s software company, had released a new product, something that would change the way we share large video files. I don’t really know the details. I should, but I don’t. I want to understand it all, but my mind has its own instant off switch that’s tripped by lengthy explanations, instruction manuals, and rules to board games read aloud. I have a college education, but, I swear, the minute someone wants to enlighten me about how a fax works or how to play hearts, the mental doors slam shut.
The party was one of those swanky affairs, held in the beautiful lobby of the BetterWorks offices on Queen Anne Hill. The night was all shiny black behind those high, high glass windows, and the city sparkled below us. The Space Needle was right there, in all its George Jetson–­Tomorrowland glory. Ian’s partner, Nathan Benjamin, was at the party, and I like Nathan. I liked him even before I met him years ago, because he has those two first names, which makes him sound friendly. But the room was full of other people, too, of course—programmers and project managers and investors and investors’ wives, eating fancy little foods off tiny napkins and making witty conversation, and later in the evening the party spilled over to the wide, damp lawn of Kerry Park, which lays adjacent to BetterWorks. All night I pretended not to be shy, even though I’d rather have been home eating popcorn and watching the Travel Channel. I kept pulling at my hem, because Ian had bought me this tight black dress and asked me to wear it and I was mad at myself for agreeing. A Band-Aid would have covered more and cost a lot less. I had heels on, and the floor was slippery, and I kept thinking of the way my sister, Amy, and I used to roller-skate in our garage when we were kids, inching our way around by clutching the workbench and then the bicycles and then the lawn mower.
Reasons for too much wine, right there.
“Oh, no, Poll. Pollux, boy. He didn’t let you out?” My Pollux, my sweet black mutt, he’s getting old. He has to be taken outside the minute you wake up, poor guy. I wipe up the puddle. The thrill of unexpected alone time gives way to irritation. It’s him I’m irritated with. Ian. Overlooking my, our, sweet old dog, who now looks ashamed. The pee requires practically half of a roll of paper towels, and there’s that banging and my pounding head.
I step over my heels, which have been abandoned by the door. What a night. I can’t remember ditching them there, or even coming home and getting into bed, to tell you the truth. This isn’t normal for me, I should also say. I rarely have more than a glass of wine, two at the most. I’ve been truly drunk maybe only twice in my life, once way back in high school with Tommy Truello and wine in a box. We drank it before going to dinner at the Velvet Turtle restaurant on our way to the homecoming dance. I was spinning and sick the rest of the night. It scared me. I don’t like to lose control.
Pollux recovers his dignity and trots behind me as I open the door to the back deck. The front end of our small sailboat has come loose, and it’s slamming into the dock with each wave of the lake. I’m glad Ian isn’t here to see it. He’d be pissed. I kneel down; I make a couple of grabs for the boat before catching it, and then I examine it for scratches. It looks okay. I even run my hand along its surface, in case there’s something I can’t see but he’ll surely notice. I was the one to tie it down when we came back in from our sail Friday evening, so it’ll be my fault that the rope hasn’t been secured properly. Narrow miss. He’ll never know, and I’m glad. Ian doesn’t make those kinds of mistakes, and he’s not particularly patient when anyone else does.
He’ll never know I was out here in my robe, either. He’d have an issue with that, as crazy as it sounds. He’s possessive, and it gets irritating. From the way he acts, you’d think the sight of me would draw in the crowds of drooling men out there on their boats. My mom robe, with the bleach stain on the front and the Kleenex in my pocket, is sexy as hell, and all of them will be lining up for sure, just waiting to get a glimpse of me wrapped in terry cloth. Not a big thrill, I promise you. Maybe our neighbor, old Joseph Grayson, might think so, but he’s stoned half the time.
It is a cloudy morning, but they’re the kind of clouds that are rushing off as if they have better things to do. The sun is fighting its way out. I tie the boat down and I’m struck by how beautiful it is on the lake. It hits you sometimes like that, and so I stand there and take it all in. After we’d been married for two years and Abby had graduated and headed to the UW dorms, we moved to Lake Union from The Highlands, that neighborhood on the other side of the bridge that held so much of our tangled history. We (well, Ian) bought our large houseboat at the end of the dock. Whenever I say houseboat to people who aren’t from the city, they think we drive it around. I have to explain that it’s not a boat but a floating home, like in Sleepless in Seattle, only Meg Ryan had better hair than I do. Ian has better hair than Tom Hanks, but Pollux has better hair than all of us, and he’s so humble about it, too.
The view from our home is similar to the one from Ian’s office up on Queen Anne Hill, but at the houseboat it’s spread out in front of us rather than seen from above. Lake Union, the Space Needle, various boats chugging past, seaplanes landing—you feel as if the city is yours out there, that you belong to it, and it to you. I never want to live anywhere else, Ian said once. I could die here and be happy. I knew what he meant. It feels so great right at this moment, even after wiping up pee and with a bad headache and with the feeling that things had gone wrong again between Ian and me the night before. I still feel mostly good, because some ducks paddle past, and then so do a pair of kayakers. The woman in the back waves and I wave, too, and I breathe in and notice that the daffodil bulbs in the pots on the deck are coming up, little arrowheads of green.
I decide against going back to bed. I put a pot of coffee on. Ian must have been in a rush to get out of here this morning, I think, because he hasn’t even made any coffee, and Ian needs his coffee. I also think this: He could be out at Louisa’s right now, bringing us home a pair of foamy lattes and some raspberry muffins, and if he shows up with that fabulous white bag and two cardboard cups, I’ll just consider this batch of French Roast my coffee appetizer. So the pot burbles and I pour Pollux his same old brown breakfast that he’s so thrilled about every single day, and I take that perfect first cup of the morning onto the deck, along with a couple of aspirins. I sit on one of the Adirondack chairs we have out there. I smell the arrival of Northwest spring, and the smell of bacon cooking somewhere, and the smell of gasoline drifting over water. All three of those smells I love. Pollux trots out again, with water droplets on his beard. He squints into the early sun and looks out over the lake like the patron saint of sailors he’s named for. What a good boy.
I sip that coffee, and the steam rises up in the coolness of morning, and Pollux lays his old self down in a spot of sun. I have one of those moments where you simply feel grateful. My headache is giving up, and the irritation is leaving, too, maybe swept away in the first exhilarating rush of caffeine. A sense of peace takes its place. A rare moment of peace, the kind you take in and vow to hold on to but never can. Those moments are gone at the first traffic jam or botched bank statement, in spite of your best intentions. But it’s there now.
I have no idea is what I’m saying. What I keep trying to say.
I have no idea that my husband has vanished.

Deb Caletti is an award-winning author and a National Book Award finalist whose books are published and translated worldwide. Her first novel was The Queen of Everything (Simon & Schuster, 2002),of which a starred review in Publisher’s Weekly proclaimed: “This marks Caletti as a writer to watch.” Although written for adults, its coming-of-age themes gained it acclaim as a Y/A book. It made the cover of the esteemed review journal The Bulletin for the Center of Children’s Books (the first trade book to do so in the journal’s history), and then was chosen for PSLA’s Top Forty of 2003 and the International Reading Association’s Young Adult Choices for 2004. It is currently in its thirteenth printing. 

Deb’s second book, Honey, Baby, Sweetheart, was a finalist for the National Book Award. Kirkus called it, “tender and poetic,” and the book earned other distinguished recognition, including the PNBA Best Book Award, the Washington State Book Award, and School Library Journal’s Best Book award. It was a finalist for the California Young Reader Medal and the PEN USA Literary Award, and was also a 2005 IRA Notable Book, an SSLI Book Awards Honor Book, and made the New York Public Library’s Best Books for the Teen Age, Chicago Library’s Best Books of 2004, and the Texas TAYSHA’s list. Her third book, Wild Roses, won acclaim with starred reviews in Publisher’s Weekly, which deemed it, “rich,” and School Library Journal, which said the book was “multifaceted and emotionally devastating,” with “profound observations and vivid language.” It was a finalist for the Washington State Book Award and was chosen as a New York Public Library Book for the Teen Age and a RT Book Club Magazine’s finalist for Best Y/A Book of 2005. The Nature of Jade was a summer 2007 Booksense pick, a Books A Million Book Club selection, and was a finalist for RT Magazine’s Best Y/A Book of the Year. 

Her fifth book, The Fortunes of Indigo Skye, was released April 2008, followed by The Secret Life of Prince Charming in 2009, The Six Rules of Maybe in 2010, Stay in 2011, and The Story of Us in 2012. In addition, several anthologies include work by Deb, including “First Kiss, Then Tell,” a Bloomsbury anthology benefiting NPR Youth Radio, and two collections of non-fiction critical essays developed by Borders Books: “The World of the Golden Compass” and “Through the Wardrobe: Your Favorite Authors on C.S. Lewis’s Chronicles of Narnia.” In 2013, Deb’s first book for adults, He’s Gone, will be released from Random House. 

Deb grew up in the San Francisco Bay area and earned her journalism degree from the University of Washington in Seattle. When Deb is not writing books or reading them, she is a painter and a lyricist, and speaks widely to audiences on writing and life as an author. Deb lives with her family in Seattle.
 
    

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