Showing posts with label women's contemporary fiction. Show all posts
Showing posts with label women's contemporary fiction. Show all posts

August 17, 2020

The Last Story of Mina Lee Blog Tour: Excerpt

 

 

THE LAST STORY OF MINA LEE
Author: Nancy Jooyoun Kim
Publication Date: September 1, 2020
Publisher: Park Row Books

ISBN: 9780778310174

Book Summary:

THE LAST STORY OF MINA LEE opens when Margot Lee’s mother, Mina, doesn’t return her calls. It’s a mystery to twenty-six-year-old Margot, until she visits her childhood apartment in Koreatown, Los Angeles, and finds that her mother has suspiciously died. The discovery sends Margot digging through the past, unraveling the tenuous and invisible strings that held together her single mother’s life as a Korean War orphan and an undocumented immigrant, only to realize how little she truly knew about her mother.

Interwoven with Margot's present-day search is Mina's story of her first year in Los Angeles as she navigates the promises and perils of the American myth of reinvention. While she's barely earning a living by stocking shelves at a Korean grocery store, the last thing Mina ever expects is to fall in love. But that love story sets in motion a series of events that have consequences for years to come, leading up to the truth of what happened the night of her death.

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Margot 
2014
 

Margot's final conversation with her mother had seemed so uneventful, so ordinary—another choppy bilingual plod. Half-understandable. 

Business was slow again today. Even all the Korean businesses downtown are closing. 

What did you eat for dinner?

Everyone is going to Target now, the big stores. It costs the same and it's cleaner.   

Margot imagined her brain like a fishing net with the loosest of weaves as she watched the Korean words swim through. She had tried to tighten the net before, but learning another language, especially her mother's tongue, frustrated her. Why didn't her mother learn to speak English?

But that last conversation was two weeks ago. And for the past few days, Margot had only one question on her mind: Why didn't her mother pick up the phone?

****

Since Margot and Miguel had left Portland, the rain had been relentless and wild. Through the windshield wipers and fogged glass, they only caught glimpses of fast food and gas stations, motels and billboards, premium outlets and "family fun centers." Margot’s hands were stiff from clenching the steering wheel. The rain had started an hour ago, right after they had made a pit stop in north Portland to see the famous 31-foot-tall Paul Bunyan sculpture with his cartoonish smile, red-and-white checkered shirt on his barrel chest, his hands resting on top of an upright axe.

Earlier that morning, Margot had stuffed a backpack and a duffel with a week's worth of clothes, picked up Miguel from his apartment with two large suitcases and three houseplants, and merged onto the freeway away from Seattle, driving Miguel down for his big move to Los Angeles. They'd stop in Daly City to spend the night at Miguel's family's house, which would take about ten hours to get to. At the start of the drive, Miguel had been lively, singing along to "Don't Stop Believing" and joking about all the men he would meet in LA. But now, almost four hours into the road trip, Miguel was silent with his forehead in his palm, taking deep breaths as if trying hard not to think about anything at all.

"Everything okay?" Margot asked.

"I'm just thinking about my parents."

"What about your parents?" Margot lowered her foot on the gas.

"Lying to them," he said.

"About why you're really moving down to LA?" The rain splashed down like a waterfall. Miguel had taken a job offer at an accounting firm in a location more conducive to his dreams of working in theatre. For the last two years, they had worked together at a nonprofit for people with disabilities. She was as an administrative assistant; he crunched numbers in finance. She would miss him, but she was happy for him, too. He would finally finish writing his play while honing his acting skills with classes at night. "The theatre classes? The plays that you write? The Grindr account?"

"About it all."

"Do you ever think about telling them?"

"All the time." He sighed. "But it's easier this way."

"Do you think they know?"

"Of course, they do. But..." He brushed his hand through his hair. "Sometimes, agreeing to the same lie is what makes a family family, Margot."

"Ha. Then what do you call people who agree to the same truth?"

"Uh, scientists?"

She laughed, having expected him to say friends. Gripping the wheel, she caught the sign for Salem.

"Do you need to use the bathroom?" she asked.

"I'm okay. We're gonna stop in Eugene, right?"

"Yeah, should be another hour or so."

"I'm kinda hungry." Rustling in his pack on the floor of the backseat, he found an apple, which he rubbed clean with the edge of his shirt. "Want a bite?"

"Not now, thanks."

His teeth crunched into the flesh, the scent cracking through the odor of wet floor mats and warm vents. Margot was struck by a memory of her mother's serene face—the downcast eyes above the high cheekbones, the relaxed mouth—as she peeled an apple with a paring knife, conjuring a continuous ribbon of skin. The resulting spiral held the shape of its former life. As a child, Margot would delicately hold this peel like a small animal in the palm of her hand, this proof that her mother could be a kind of magician, an artist who told an origin story through scraps—this is the skin of a fruit, this is its smell, this is its color.

"I hope the weather clears up soon," Miguel said, interrupting the memory. "It gets pretty narrow and windy for a while. There's a scary point right at the top of California where the road is just zigzagging while you're looking down cliffs. It's like a test to see if you can stay on the road."

"Oh, God,” Margot said. “Let's not talk about it anymore."

As she refocused on the rain-slicked road, the blurred lights, the yellow and white lines like yarn unspooling, Margot thought about her mother who hated driving on the freeway, her mother who no longer answered the phone. Where was her mother?

The windshield wipers squeaked, clearing sheets of rain.

"What about you?" Miguel asked. "Looking forward to seeing your mom? When did you see her last?"

Margot's stomach dropped. "Last Christmas," she said. "Actually, I've been trying to call her for the past few days to let her know, to let her know that we would be coming down." Gripping the wheel, she sighed. "I didn't really want to tell her because I wanted this to be a fun trip, but then I felt bad, so..."

"Is everything okay?"

"She hasn't been answering the phone."

"Hmm." He shifted in his seat. "Maybe her phone battery died?"

"It's a landline. Both landlines—at work and at home."

"Maybe she's on vacation?"

"She never goes on vacation." The windshield fogged, revealing smudges and streaks, past attempts to wipe it clean. She cranked up the air inside.

"Hasn't she ever wanted to go somewhere?"

"Yosemite and the Grand Canyon. I don't know why, but she's always wanted to go there."

"It's a big ol' crack in the ground, Margot. Why wouldn't she want to see it? It's God's crack."

"It's some kind of Korean immigrant rite of passage. National Parks, reasons to wear hats and khaki, stuff like that. It's like America America."

"I bet she's okay,” Miguel said. “Maybe she's just been busier than usual, right? We'll be there soon enough."

"You're probably right. I'll call her again when we stop."

A heaviness expanded inside her chest. She fidgeted with the radio dial but caught only static with an occasional glimpse of a commercial or radio announcer's voice.

Her mother was fine. They would all be fine.

With Miguel in LA, she'd have more reasons to visit now.

The road lay before them like a peel of fruit. The windshield wipers hacked away the rivers that fell from the sky.


Excerpted from The Last Story of Mina Lee by Nancy Jooyoun Kim, Copyright © 2020 by Nancy Jooyoun Kim Published by Park Row Books


Born and raised in Los Angeles, Nancy Jooyoun Kim is a graduate of UCLA and the MFA Creative Writing Program at the University of Washington, Seattle. Her work has appeared in the Los Angeles Review of Books, Guernica, The Rumpus, Electric Literature, Asian American Writers’ Workshop’s The Margins, The Offing, the blogs of Prairie Schooner and Kenyon Review, and elsewhere. Her essay, “Love (or Live Cargo),” was performed for NPR/PRI’s Selected Shorts in 2017 with stories by Viet Thanh Nguyen, Phil Klay, and Etgar Keret. THE LAST STORY OF MINA LEE is her first novel.

Social Links:
Author Website
Twitter: @njooyounkim
Instagram: @njooyounkim
Goodreads






June 6, 2020

The Bitter and Sweet of Cherry Season Blog Tour: Excerpt




THE BITTER AND SWEET OF CHERRY SEASON
Author: Molly Fader
Publication Date: June 6, 2020
Publisher: Graydon House Books

Description:

For fans of Robyn Carr, commercial women's fiction about three generations of women who come together at the family orchard to face secrets from the past and learn to believe in the power of hope and forgiveness.

In cherry season, anything is possible...

Everything Hope knows about the Orchard House is from her late-mother's stories. So when she arrives at the Northern Michigan family estate late one night with a terrible secret and her ten-year-old daughter in tow, she's not sure if she'll be welcomed or turned away with a shotgun by the aunt she has never met.

Hope's aunt, Peg, has lived in the Orchard House all her life, though the property has seen better days. She agrees to take Hope in if, in exchange, Hope helps with the cherry harvest—not exactly Hope's specialty, but she's out of options. As Hope works the orchard alongside her aunt, daughter, and a kind man she finds increasingly difficult to ignore, a new life begins to blossom. But the mistakes of the past are never far behind, and soon the women will find themselves fighting harder than ever for their family roots and for each other.
Chapter 1

HOPE

Night up in Northern Michigan was no joke.

Hope had never seen a dark so dark. It had heft and dimension, like she was driving right into an abyss. She thought about waking up Tink in the back to show her, but the girl had finally fallen asleep and she needed the rest.

And Hope needed a break.

Who knew traveling with a completely silent, angry and traumatized ten-year-old could be so exhausting?

Hope’s phone had died when she got off the highway about twenty minutes ago. In those last few minutes of battery she had tried to memorize the directions:

Left on Murray Street.

Slight right onto County Road 72.

Your destination is five miles on the right.


But County Road 72 wasn’t well marked and now she feared she was lost. Well, for sure she was lost; in the grand scheme of things she was totally off the map.

But she was clinging to the one ratty thread of hope she had left in her hand.

And then just as that tiny bit of thread started to slip out of her fingers, from the murk emerged a blue sign.

County Road 72.

The road took a long arcing right into the dark, and she unrolled her window, trying to keep herself awake. Adrenaline and gas station coffee could only do so much against two sleepless nights.

Her yawn was so wide it split her lip. Again. Copper-tasting blood pooled in her mouth.

“Shit,” she breathed and pressed the last of the napkins against her mouth. She was even out of napkins.

In the back, Tink woke up. Hope heard the change in her breathing. The sudden gasp like she was waking up from a nightmare.

Or into one. Hard to say.

“Hey,” Hope said, looking over her shoulder into the shadows of the back seat. Her daughter’s pale face like a moon slid into the space between the driver and passenger seats. “We’re almost there.” Hope sounded like they were about to drive up to the gates of Disney World.

Tink rubbed her eyes.

“Did you see the stars?” Hope’s voice climbed into that range she’d recently developed. Dementedly cheerful. Stepford Mom on helium. She winced at the sound of it. That wasn’t her. It wasn’t how she talked to Tink. And yet she couldn’t tune her voice back to normal. “There are so many of them. I don’t think I’ve ever seen so many stars.”

Tink ducked her head to look out the windshield and then turned to cock her head at an angle so she could look out the passenger windows.

They’d gone to an exhibit about the constellations at the Science Center a year ago and Tink still talked about it. Pointing up at Sirius like she’d discovered it herself.

“Aren’t those the pieties?” Hope got the name wrong on purpose, hoping for a snotty-toned correction from her miniature astronomer. Or at least a throat-clearing scoff.

But no.

“Sooner or later you’re going to talk to me,” she said. “You’re going to open that mouth and all the words you haven’t said all day are gonna come pouring out.”

Silence.

“Do you want to ask me questions about where we’re going?” They were, after all, heading deep into Northern Michigan to a place she and Tink had never been, and Hope had never told her about until today.

Tink rubbed her eyes again.

“Or maybe what happened…tonight?” Her gaze bounced between Tink and the road.

When you’re older, you’ll understand. When you’re a mom, you’ll understand. She wanted to say that to her daughter, but she herself barely understood any of what had happened the last two days.

Still silence.

Hope tried a different angle. “I’m telling you, Tink. I know you and you can’t keep this up much longer. I’ll bet you ten bucks you say something to me in five…four…three…two…” She pulled in a breath that tasted like tears and blood.

Please, honey. Please.

“One.” She sighed. “Fine. You win.”

Her beat-up hatchback bounced over the uneven asphalt and Tink crawled from the backseat into the front, her elbow digging into Hope’s shoulder, her flip-flopped foot kicking her in the thigh.

The degree of parenting it would take to stop Tink from doing that, or to discuss the potential dangers and legality of it, was completely beyond her. She was beyond pick your battles, into some new kind of wild west motherhood. Pretend there were no battles.

They drove another five minutes until finally, ahead, there was a golden halo of light over the trees along the side of the road, and Hope slowed down. A gravel driveway snaked through the darkness and she took it on faith that it had been five miles.

“This is it.”

Please let this be it.

The driveway opened up and there was a yellow-brick, two-story house.

The Orchard House. That was what Mom called it in the few stories she’d told about growing up here. Actually, the words she used were The Goddamn Orchard House.

It was a grand old-fashioned place with second-story windows like empty eyes staring down at them. White gingerbread nestled up in the corners of the roof, and there was a big wide porch with requisite rocking chairs.

Seriously, it was so charming, it could have been fake.

The car rolled to a stop and Hope put it in park. Her maniacal new voice failed her, and she just sat there. Silent.

Suddenly the front door opened and a dog – a big one, with big teeth – came bounding out. Cujo stopped at the top of the steps and started barking. Behind the dog came a woman in a blue robe carrying a shotgun.

Tink made a high panicked sound in her voice, climbing up in her seat.

Hope’s impulse was to turn the car around and get out of there. The problem was there was nowhere to turn around to. They had no place left to go.

“It’s okay, honey,” Hope lied. She went as far as to put her hand over Tink’s bony knee, the knob of it fitting her palm like a baseball. “Everything’s going to be all right.”

More desperate than brave, Hope popped open the door. The dog’s bark, unmuffled by steel and glass, was honest-to-god blood curdling. “Hi!” she yelled, trying to be both cheerful and loud enough to be heard over the barking.

“Get your hands up,” the woman on the porch shouted.

Hope shoved her hands up through the crack between the door and the car and did a kind of jazz hands with her fingers.

“What do you want?” the woman asked.

“Are you Peg—”

“I can’t hear you.”

She stood up, her head reaching up over the door. “Are you Peg?”

“Never mind, me. Who the hell are you?” She pointed the business end of the gun toward them.

Hope quickly side-stepped away from the car door, and Tink reached across the driver’s seat and slammed it shut.

The heavy thud of the engaged lock was unmistakeable.

“You don’t know me—”

“No shit!”

“My name is Hope,” she said.

The gun lowered and the woman’s face changed. From anger to something more careful. “Hope?”

“Yeah. I’m Denise’s girl. I’m…well, you’re my aunt?”



Excerpted from The Bitter and Sweet of Cherry Season by Molly Fader, Copyright © 2020 by Molly Fader. Published by Graydon House Books.

Molly Fader is the author of The McAvoy Sisters Book of Secrets. She is also the award-winning author of more than forty romance novels under the pennames Molly O'Keefe and M. O'Keefe. She grew up outside of Chicago and now lives in Toronto. Follow her on Twitter, @mollyokwrites.

Social Links:
Author Website: http://mollyfader.com/
TWITTER: @MollyOKwrites

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March 5, 2020

The Grace Kelly Dress Blog Tour: Excerpt



The Grace Kelly Dress: A Novel
Author: Brenda Janowitz

Genre: Fiction / Contemporary Women
On Sale Date: March 3, 2020
Trade Paperback
$16.99 USD, $22.99 CAD
336 pages
 

Description:
 
Two years after Grace Kelly’s royal wedding, her iconic dress is still all the rage in Paris—and
one replica, and the secrets it carries, will inspire three generations of women to forge their own
paths in life and in love.
 

Paris, 1958: Rose, a seamstress at a fashionable atelier, has been entrusted with sewing a
Grace Kelly—look-alike gown for a wealthy bride-to-be. But when, against better judgment, she
finds herself falling in love with the bride’s handsome brother, Rose must make an impossible
choice, one that could put all she’s worked for at risk: love, security and of course, the dress.
 

Sixty years later, tech CEO Rachel, who goes by the childhood nickname “Rocky,” has inherited the dress for her upcoming wedding in New York City. But there’s just one  problem: Rocky doesn’t want to wear it. A family heirloom dating back to the 1950s, the dress just isn’t her. Rocky knows this admission will break her mother Joan’s heart. But what she doesn’t know is why Joan insists on the dress—or the heartbreaking secret that changed her mother’s life decades before, as she herself prepared to wear it.

As the lives of these three women come together in surprising ways, the revelation of the
dress’s history collides with long-buried family heartaches. And in the lead-up to Rocky’s
wedding, they’ll have to confront the past before they can embrace the beautiful possibilities of the future.

 
The mother of the bride, as a bride herself
Long Island, 1982


She loved the dress. She loved the veil that went with it, too, though she wasn’t sure if it
could be salvaged. It was showing signs of age, its edges curling and tinged with brown.
But that wouldn’t dull her excitement.
 

Today was the day she would be trying on her mother’s wedding dress. Even though
Joanie had tried it on countless times as a child—it was a favorite rainy-day activity with
her mother—today felt different. She was engaged, just like she’d dreamed about ever
since she could remember. When she tried the dress on this time, it was for keeps. She
was completely in love with the dress.
 

“Let me help you get it on,” Joanie’s mother said, her French accent coming through.
It was always more pronounced when she was feeling emotional. With her American
friends, Joanie noticed, her mother always tried to sound “American,” softening her
accent and using American expressions. But when they were alone, she could be
herself. Let her guard down. Joanie knew exactly who her mother was, and she loved
her for it.
 

Her mother handed Joanie a pair of white cotton gloves and then put on her own set.
The first step in trying the dress on, always, so that the oils in their hands wouldn’t defile
the fabric. She laid the large box on her bed and nodded her head at her husband, her
signal to give them privacy. The door closed to Joanie’s childhood bedroom, and she
and her mother were alone.
 

The white cotton gloves were cool and smooth on her skin. Joanie opened the box
slowly. So slowly. It was sealed with a special plastic that was supposed to keep it
airtight so that the dress would not oxidize and turn yellow. She and her mother laughed
as they struggled to set the dress free. The last time she tried the dress on was the
summer before her sister died. It was after Michele’s death that her mother brought the
dress into the city so that it might be cleaned properly and preserved for just this day. At
the time, Joanie hadn’t understood the connection between her sister’s sudden death
and her mother’s tight grip on family heirlooms, but now, a year into her psychology
degree at NYC University, she understood. It was so hard to hold on to things that were
important to you, things that mattered, and preserving her wedding dress, this memory,
was her mother’s way of taking control of something. It was something she could save.
 

The dress was just as beautiful as she’d remembered. Crafted from rose point lace,
the same lace used on Grace Kelly’s iconic wedding dress, it was delicate and classic
and chic and a million other things Joanie couldn’t even articulate.
 

“Go on,” her mother said, holding the first part of the dress—the bodice with the
attached underbodice, skirt support, and slip—out for her to take. As a child, it had
thrilled Joanie to no end that the wedding dress her mother wore was actually made up
of four separate pieces. It was like a secret that a bride could have on her special day,
something that no one else knew.

“I couldn’t,” Joanie said, hands at her side. Knowing how carefully preserved the
dress had been, what the dress had meant to her mother, it was hard for Joanie to
touch it. She didn’t want to get it dirty, sully its memory. “It’s just so beautiful.”
 

“It’s yours now,” her mother said, smiling warmly. “The dress belongs to you. Put it
on.”
 

Joanie kicked off her ballerina flats, and her mother helped her ease the bodice on.
Joanie stood at attention as her mother snapped the skirt into place, and wrapped the
cummerbund around her waist. Joanie held her hands high above her head, not wanting
to get in the way of her mother’s expert hands, hands that knew exactly where to go,
fingers that knew exactly what to do.
 

“You ready in there, Birdie?” her father yelled from the hallway, impatient, his French
accent just as strong as the day he left France. Joanie always loved how her father had
a special nickname for her mother. When they first married, he would call her mother
GracieBird, a nickname of Grace Kelly’s, because of the Grace Kelly–inspired wedding
gown she wore on their wedding day. Eventually, it was shortened to Bird, and then over
time, it became Birdie. What would Joanie’s fiancé call her?
 

Joanie inspected her reflection in the mirror. Her shoulder-length blond hair, recently
permed, looked messy. Her pink eye shadow, which had always seemed so grown-up
on her sister, made her appear tired and puffy-eyed. But the dress? The dress was
perfect.
 

Her mother opened the door slowly, and her father’s face came into view. His
expression softened as he saw his daughter in the wedding dress. She walked out into
the hallway, towards him, and she could see a tear forming in the corner of his eye.
 

She turned to her mother, about to tell her that Daddy was crying, when she saw that
her mother, too, had teared up. Joanie couldn’t help it—seeing her mother and father
cry, she began to cry as well. She could never keep a dry eye when someone else was
crying, least of all her parents, ex-pats from Europe who hardly ever cried.
 

Michele’s presence floated in the air like a haze, but no one would say it. No one
dared mention that she would have worn the dress first. Should have worn the dress
first.
 

“And look at us,” her mother said, her hands reaching out and grabbing for her
husband and daughter. “All of us crying like little babies.”
 

All three embraced—carefully, of course, so as not to ruin the dress.
 

Her father kissed the top of her head. “Give us a twirl.”
 

Joanie obliged. The dress moved gracefully as she spun. Joanie curtsied, and her
father gently took her hand and kissed it.
 

“I know what you’re thinking,” her mother said, her voice a song.
 

“What?” Joanie asked absentmindedly, while staring at her reflection in the mirror.
She knew the first thing she’d change—the sleeves. The dress needed big, voluminous
sleeves, just like Princess Diana had worn on her wedding day.
 

“Or I should say who you’re thinking about,” her mother said, a gentle tease.
 

“Who?” Joanie asked, under her breath, twirling from side to side in front of the mirror,
watching the dress move.

“Your fiancé,” her mother said, furrowing her brow. “Remember him?”
 

“For sure,” Joanie said, spinning around to face her mother. “My fiancé. Yes. I knew
that. And, yes. I was.” But the truth was, she had completely forgotten.
 

Excerpted from The Grace Kelly Dress by Brenda Janowitz. Copyright © 2020 by Brenda Janowitz. Published by Graydon House Books.

 

Brenda Janowitz is the author of five novels, including The Dinner Party and Recipe for a Happy Life. She is the Books Correspondent for PopSugar. Brenda's work has also appeared in The New York Times, USA Today, The Washington Post, Salon, Redbook, and the New York Post. She lives in New York.
 

Social Links: 
Website: http://www.brendajanowitz.com/
Facebook: @BrendaJanowitz
Twitter: @BrendaJanowitz
Instagram: @brendajanowitzwriter
Goodreads: https://www.goodreads.com/author/show/241404.Brenda_Janowitz
 

Buy Links:
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Harlequin Trade Publishing
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April 3, 2018

Other People's Houses Blog Tour: Excerpt + Giveaway

Other People's Houses
Author: Abbi Waxman
Genre: Contemporary Women's Fiction
Release Date: April 3, 2018
Publisher: Berkley Books

Description:

"Abbi Waxman is both irreverent and thoughtful."--#1 New York Times bestselling author Emily Giffin

And now the author of The Garden of Small Beginnings returns with a hilarious and poignant new novel about four families, their neighborhood carpool, and the affair that changes everything.

At any given moment in other people's houses, you can find...repressed hopes and dreams...moments of unexpected joy...someone making love on the floor to a man who is most definitely not her husband...

*record scratch*

As the longtime local carpool mom, Frances Bloom is sometimes an unwilling witness to her neighbors' private lives. She knows her cousin is hiding her desire for another baby from her spouse, Bill Horton's wife is mysteriously missing, and now this...

After the shock of seeing Anne Porter in all her extramarital glory, Frances vows to stay in her own lane. But that's a notion easier said than done when Anne's husband throws her out a couple of days later. The repercussions of the affair reverberate through the four carpool families--and Frances finds herself navigating a moral minefield that could make or break a marriage.
  


Praise for Abbi Waxman & Other People’s Houses:
 
“Abbi Waxman is both irreverent and thoughtful.”
— #1 New York Times bestselling author EMILY GIFFIN
 

“Charming yet provocative... This is a voyeuristic (in a nice way) and humorous trip through what is usually hidden behind closed doors. Waxman is a master at purveying the wry humor that rides just below the surface of even the tough times. An immensely enjoyable read.”—Kirkus Reviews
 

“A smart, thoughtful look at marriage and suburbia.”—PopSugar
 

“Once again, [Waxman] manages to take a far-reaching topic and sprinkle it with spicy dialogue, adorable kids, and characters who feel like best friends... Recommend to those who like to turn pages quickly without sacrificing complex characters.”—Booklist
 

“We absolutely adored [The Garden of Small Beginnings]. And if it’s possible, we’re even more in love with her much-anticipated follow-up, Other People’s Houses.”—Hello Giggles
  
https://www.goodreads.com/book/show/35742707-other-people-s-houses
Frances pulled into the elementary school lot and Ava got out, sighing as if she were a fourteen-year-old Victorian child disembarking for her day down the mine. She pulled open the door and swung her arm wide.

“Medium-size children may now escape. Mind the gap, and watch out for speeding moms on cell phones.”

The children had already unbuckled and piled out, high-fiving Ava as they passed her. Kate stopped, and Frances turned to see what was up. The little girl’s face was a study in conflict.

“What’s wrong, honey?”

Kate looked at Frances, and her chin wobbled.

“I left my toilet roll tubes at home.”

“Oh.” Frances looked at her eldest child. Ava shrugged, looking back inside the open minivan.

“They aren’t in the car.”

“Oh, OK.” Frances smiled at Kate. “I’m sure the teacher will have lots of extras.” She herself had, over time, sent in three thousand toilet roll tubes. For all she knew they were building a particle collider out of them, or an accurate re-creation of the New York subway system. Let’s hope they didn’t use the obvious choice for subway trains.

“No, I have to have my own ones.” Kate’s eyes were filling with tears, her shit-fit indicator was dropping to DEFCON 3. “It’s for the class project. Everyone else will have them.”

Frances weighed her options. On the one hand Kate was only six, and would not only survive but would forget the trauma of not having had toilet roll tubes. But on the other hand, she was a member of the Yakuza-esque organization known as Miss Lollio’s First Grade Class, whose members fell on the weakest like wolves on a lamb. Forgetting to bring toilet roll tubes and having to borrow some was a Noticeable Event to be avoided at all costs. It wasn’t on the level of peeing oneself, of course, it wasn’t going to give rise to a nickname you couldn’t shake until college, but it wasn’t great.

“My mommy put them in a bag, but she forgot to give them to me.” A note of accusatory steel had entered her voice. Frances gazed at the little angel, whose mother had been heard calling her Butterblossom.

Kate’s eyes had gone flat like a shark’s. She knew she would get what she wanted, the only question was when. I am younger than you, old lady, her eyes said, and I will stand here until age makes you infirm, at which time I will push you down, crunch over your brittle bones, and get the toilet roll tubes I need.

“Alright, Kate. I’ll go back and get them after I drop Ava, OK, and bring them back to school for you.” Frances knew she was being played, but it was OK. She was softhearted, and she could live with that.

“Suckah...” Ava headed back to her seat, shaking her head over her mother’s weakness, a weakness she loved to take advantage of herself.

“Thanks, Frances!” Kate beamed an enormous smile, turned, and ran off—the transformation from tremulous waif to bouncy cherub instantaneous. Behind her in the line of cars, someone tapped their horn. OK, the brief honk said, we waited while you dealt with whatever mini crisis was caused by your piss-poor parenting, because we’re nice like that, but now you can get a move on because we, like everyone else in this line, have Shit to Do. Amazing how much a second of blaring horn can communicate.

Frances waved an apologetic hand out of the car window, and pulled out of the gate.

She dropped the other kids and was back at Anne’s house in a half hour. Having carpool duty wasn’t the onerous task the other parents thought it was: All three schools were close to home, and all four families lived on the same block. As Frances ran up to Anne’s door she looked over and saw her own cat, Carlton, watching her. She waved. He blinked and looked away, embarrassed for both of them.

She knocked softly on the door, but no one answered. Maybe Anne had gone back to sleep. She turned the handle and pushed open the door, peering around. Yup, there was the bag of toilet roll tubes. She grabbed it and was about to shut the door again when she saw Anne lying on the floor, her face turned away, her long hair spilling across the rug.

“Anne! Holy crap, are you OK?” But as she said it her brain started processing what she was really seeing. Anne, on the floor, check. But now she’d turned her head and Frances realized she was fine. In fact, she was better than fine. Frances had instinctively stepped over the sill and now she saw that Anne was naked, her face flushed, a man between her legs, his head below her waist.

“Shit...” Frances dropped her eyes, began to back out, “Sorry, Anne, Kate forgot her toilet roll

tubes . . .” Stupidly she raised her hand with the Whole Foods bag in it because, of course, that would make it better, that she’d interrupted Anne and Charlie having a quickie on the living room floor. It was OK, because she was just here for the toilet roll tubes. Nothing to see here, move along.

The man realized something was wrong, finally, and raised his head, looking first at Anne and then turning to see what she was looking at, why her face was so pale when seconds before it had been so warmly flushed.

Frances was nearly through the door, it was closing fast, but not before she saw that it wasn’t Charlie at all. It was someone else entirely.

Frances closed the door and heard it click shut.
Abbi Waxman is a chocolate-loving, dog-loving woman who lives in Los Angeles and lies down as much as possible. She worked in advertising for many years, which is how she learned to write fiction. She has three daughters, three dogs, three cats, and one very patient husband.
 

She is the recipient of most helpful parent award from her daughter’s preschool. That was many years ago. But still.
(1) Paperback copy of OTHER PEOPLE'S HOUSES - Open to US only!