Showing posts with label Tessa Gratton. Show all posts
Showing posts with label Tessa Gratton. Show all posts

March 27, 2018

The Queens of Innis Lear Blog Tour: Review + Giveaway



The Queens of Innis Lear
Author: Tessa Gratton
Genre: Adult Fantasy/Retelling
Release Date: March 27, 2018
Publisher: Tor Books

Description:

A kingdom at risk, a crown divided, a family drenched in blood.

The erratic decisions of a prophecy-obsessed king have drained Innis Lear of its wild magic, leaving behind a trail of barren crops and despondent subjects. Enemy nations circle the once-bountiful isle, sensing its growing vulnerability, hungry to control the ideal port for all trade routes.

The king's three daughters—battle-hungry Gaela, master manipulator Reagan, and restrained, starblessed Elia—know the realm's only chance of resurrection is to crown a new sovereign, proving a strong hand can resurrect magic and defend itself. But their father will not choose an heir until the longest night of the year, when prophecies align and a poison ritual can be enacted.

Refusing to leave their future in the hands of blind faith, the daughters of Innis Lear prepare for war—but regardless of who wins the crown, the shores of Innis will weep the blood of a house divided. 


Praise for THE QUEENS OF INNIS LEAR:

“I adore this—rich, epic, blood-soaked—a glorious and grand sweeping fantasy.” —Kate
Elliott, author of The Poisoned Blade

“A gloriously symphonic, thematically rich variation on the story of the daughters of Lear. The danger of seeking certainty makes this a tale for our time; the power of truth and mercy makes it a tale for all times. Prepare to devour every word, for Innis Lear will consume you.” —Karen Lord, author of Redemption in Indigo

"Messy, beautiful, and dark, darker than Shakespeare could have dreamed." —E. K. Johnston, author of Star Wars: Ahsoka  


You can purchase The Queens of Innis Lear at the following Retailers:
        

The Queens of Innis Lear is a beautifully written retelling of Shakespeare's King Lear. If I had to choose one single word to describe this novel, it would be INTENSE. And that alone would be an understatement. Being an English major, I'm quite familiar with the play and I was genuinely excited to see how the author was going to tell the story. I wasn't disappointed in the least. One of the major positive aspects of the novel was the amazing world building. The author uses detailed descriptions and vivid imagery to bring these characters and their world to life in front of our eyes, and I found myself easily sucked into this reality right from the beginning. It was so easy to picture myself in all the different settings because the author described them down to the smallest and most intricate detail. It was some of the most amazing world building I've ever read, hands down.

The characters were also very well written with unique personalities and traits that made them realistic. There were several main characters that we hear from throughout the book, so having each person so different and distinct made it easier to tell them apart and help clear up any confusion. I really loved learning about all of the characters, their various histories and life stories, as well as their relationships - both good and bad - with one another. There weren't any simple relationships in the entire book. Each character was somehow connected in intricate and complicated ways. I loved watching each person learn and grow throughout the story - whether things went good or bad. It was all fascinating to me and I ate it up.

In my opinion, this is one of the more heavy and complicated of Shakespeare's tragedies, which made this novel one heck of an undertaking. I honestly don't think most authors could have pulled off a decent retelling at all, let alone one that was this fantastic. I found a couple negative points for myself as a reader that I have to make note of. First, there are so many different major characters that get their parts of the story told. It's overwhelming and confusing, especially when the plot is so full of power struggles between kingdoms, treachery, politics, romance, and so on. Every character is involved in so many various ways that it gets pretty confusing really fast. And I've read the original play that it's based on, so I can only imagine how most readers would feel diving in with no background. The other note I wanted to make was, of course, the use of the third person point of view. I know that there's literally no other way to do this story because of the plot and amount of major characters. I just really prefer first person and I'm almost always bummed when a book isn't written in that style. Again - these are my personal opinions and concerns and have nothing to do with the book, writing, or the author at all. Every reader will have to form their own opinions. 

That being said, this was a huge undertaking that I feel that author pulled off beautifully. I was completely drawn into the world she created and felt like I was alongside the characters while everything was happening around them. I highly recommend this book for fans of fantasy and especially fans of Shakespeare.
 
Tessa Gratton is the Associate Director of Madcap Retreats and the author of the Blood Journals Series and Gods of New Asgard Series, co-author of YA writing books The Curiosities and The Anatomy of Curiosity, as well as dozens of short stories available in anthologies and on merryfates.com. Though she’s lived all over the world, she’s finally returned to her prairie roots in Kansas with her wife. Her current projects include Tremontaineat Serial Box Publishing, YA Fantasy Strange Grace coming in 2018, and her adult fantasy debut, The Queens of Innis Lear, from Tor March 27, 2018. Visit her at tessagratton.com


    
(5) Winners will receive a Copy of THE QUEENS OF INNIS LEAR by Tessa Gratton.
Giveaway is open to International. | Must be 13+ to Enter
 

November 6, 2017

Tremontaine Blog Tour: Guest Post + Giveaway



TREMONTAINE (Season 3)
Author: Ellen Kushner, Joel Derfner, Karen Lord, Delia Sherman, Racheline Maltese, Paul Witcover, Tessa Gratton, and Liz duffy Adams
Publication Date: October 11, 2017 
Publisher: Serial Box 
Formats: eBook & audiobook 

Since launching last year, serial fiction startup Serial Box has been featured from coast to coast including stories on NPR, Wired, BuzzFeed and i09. Serial Box was called “a godsend for a niche market of readers” by The Chicago Tribune. 

As one of the flagship serials from Serial Box with tens of thousands of readers across multiple platforms, Tremontaine has made waves in the serial, LGBTQ, and fan fiction community.  

Tremontaine introduces readers to a world where ambition, love affairs, and rivalries dance with deadly results. In this serial, Ellen Kushner and a team of writers return readers to the world of scandal and swordplay introduced in her cult-classic novel Swordspoint. Readers familiar with the series will find a welcome homecoming while new fans will learn what makes Riverside a place they will want to visit again and again. Tremontaine follows Diane, Duchess Tremontaine, whose beauty is matched only by her cunning; Rafe Fenton, a handsome young scholar with more passion than sense; Ixkaab Balam, a tradeswoman from afar with skill for swords and secrets; and Micah, a gentle genius whose discoveries herald revolution. Sparks fly as these four lives intersect in a world where politics is everything, and outcasts are the tastemakers.  

Team-written by some of today’s most exciting authors, Tremontaine Season 3 is brought to you by Ellen Kushner, Joel Derfner, Karen Lord, Delia Sherman, Racheline Maltese, Paul Witcover, Tessa Gratton, and Liz duffy Adams.
What is the best process for researching before writing a historical fiction? 
By Liz Duffy Adams

This piece originally appeared on Quora. You can find a link here.

Tremontaine is the critically acclaimed prequel to Ellen Kushner’s beloved Riverside novels, which developed a cult following beginning with Swordspoint in 1987. The “Fantasy of Manners” focuses on decadent world building and interpersonal intrigue, and has been noted for its progressive expression of gender and sexuality. Team-written by some of today’s most exciting authors, Tremontaine season 3 is brought to you by Ellen Kushner, Joel Derfner, Karen Lord, Delia Sherman, Racheline Maltese, Paul Witcover, Tessa Gratton, and Liz Duffy Adams. The first episode is available for free at Serial Box and can be found here: http://bit.ly/TremS3RST

Before co-writing a guest episode for Tremontaine (with Delia Sherman), I created the historical series Whitehall for Serial Box. And before that, I wrote plays set in the Restoration period (Or,) and 1702 New England (A Discourse on the Wonders of the Natural World), and I’m currently doing research for a play set in Elizabethan England. And based on my experience, the best way to write historical fiction is to spend years doing what I call “accidental research.” That is, to fall in love with a period in history, read works written in that period, rather than historical fiction written now and set there, steep yourself deeply in another time, another way of thinking, another way of speaking and writing, so that when you come to create your own story, it feels more like vising a country you know very well, than like arriving as a stranger in a strange land hastily trying to interpret their customs and language.

Before I wrote Or, (about Restoration playwright Aphra Behn, King Charles II, and actress Nell Gwynne), I had spent years immersed in the period. I’d studied and performed Restoration theater as a young actress, read and seen many plays of the period, visited London to see remnants of that time’s architecture, read the diaries of Pepys and Evelyn—all for sheer pleasure. Because from the first time I rehearsed a scene from Congreve’s Way of the World as an acting student I fell in love with the wit, the style (the clothes!), a certain brave and carefree way of engaging with a dangerous world. And I wanted to spend more time in that world. By the time it occurred to me to write the play, and later to set Whitehall in the same period, all the deliberate research I had to do was in nailing down the specific timelines and events, and boosting my understanding of the details of people’s lives. That was a lot of work, still, of course! But I already had an instinctive understanding, a gut feeling, of what that turning point in history was particularly about, at least to me.

So of course, that’s not a helpful answer if you aren’t already years into steeping in another period but you want to write fiction set there! So my abbreviated answer is: steep yourself now. Read everything you can get your hands on from the period, not only about it. Of course, present-day work about the past is part of the research process. But nothing can take the place of reading what people wrote then.

In another example, for my play set in the aftermath of the Salem witch crisis I found and read an 80 page sermon published in 1692, “Wonders of the Invisible World,” from which I got both my title, and a strong (and startling in many ways, to me) idea of how certain powerful men of the time justified executing accused witches, and how that mindset resonates with certain ways of thinking today. If all I knew of the period was, say, another play set there but written in the 20th century, The Crucible, I would be arguing with or echoing a near-contemporary, rather than engaging with something true and real about another time.

Maybe another way to think of it is, to write about the past, you have to travel to the past and spend some time there. And what’s historical fiction but a kind of time travel, the only kind we have?
About Seral Box 

A new kind of publishing company for a new age. 

While technology has rapidly evolved, the way publishers and writers bring books to readers really hasn't. Storytelling in TV has become more sophisticated and multilayered, podcasts have risen to mainstream media status—but ebooks are just books on digital devices, not easier, more fun, or more social than they were before. 

Serial Box is here to change all of that: artfully blending together the best of series television and the convenience of ebooks and audiobooks to bring readers a new form of story telling

Releasing fiction serials over the course of 10-16 week seasons, Serial Box is about delivering addictive episodes straight to the user’s digital device to be read or listened to anytime, anywhere. 

Taking a few pages from the world of television, Serial Box hires a team of a talented and award-winning writers to collaborate on each serial, pulling the best ideas to develop great characters and craft a narrative that captivates readers over the course of the season. A new ensemble of writers works on each series, so each will vary in genre and length, but they'll always be entertaining page-turners that keep you wondering what will happen in next week's episode. 

Website | Twitter | Facebook | Goodreads | Pinterest | Blog | Instagram 
 (3) winners will receive Season 1 of TREMONTAINE - Open International





Tour Schedule: 

Week One: 
11/6/2017- A Dream Within A Dream- Excerpt 
11/6/2017- Jamieson Wolfe- Review 
 
11/7/2017- Books,Dreams,Life- Pre Made Post 
11/7/2017-BookishRealmReviews- Spotlight 
 
11/8/2017- Novel Novice- Excerpt 
11/8/2017- BookHounds YA- Review 
 
11/9/2017- Owl Always Be Reading- Review 
11/9/2017- BookCrushin- Review 
 
11/10/2017- Read Lovely Books- Excerpt 
 
Week Two: 
11/13/2017- Owl Always Be Reading- Review 
11/13/2017- YA and Wine- Pre Made Post 
 
11/14/2017- Hauntedbybooks13- Review 
11/14/2017- Texan Girl Reads- Review 
 
11/15/2017- Hooked To Books- Spotlight 
 
11/16/2017- A Gingerly Review- Review 
 
11/17/2017- Owl Always Be Reading- Review 
11/17/2017- Two Chicks on Books- Review